Tuesday, May 6

Prime Numbers in NYC



Got some great News! My play, Prime Numbers will be produced Off-Off Broadway by Love Creek Productions. Directed by Linda Loren, this short play explores the darker side of sibling relationships when a feuding brother and sister prepare to attend a Mardi Gras style funeral service for their mom.

Prime Numbers
by Scott McMorrow
May 18-21 at 8 PM
Beckmann Theatre
American Theatre of Actors
314 W 54th St
New York, NY 10019
Tix/Info: 212.581.3044

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Friday, February 29

Longwood Play Fest

Just found out that "Civil Twilight" will be produced as part of Longwood University’s 1st Annual Ten Minute Play Festival. This short play takes the audience on a surreal journey through the high desert as two women work together to uncover the source of one of their party’s madness.

Civil Twilight
by Scott McMorrow
March 28 at 8 PM
March 29 and 30 at 3:00 PM
Black Box Theatre
Longwood University
201 High Street
Farmville, VA
Box Office: 434-395-2474

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Thursday, February 28

Goin' Off-Off Broadway

Just found out a short play of mine is going to be performed at the Wings Theatre this April. "(before) The Rubaiyyat of Omar Khayaam," will be directed by Tracy Francis Off-Off Broadway as part of the Noor Play Festival, an Equity Showcase of plays dealing with the Middle East.

"(before) The Rubaiyyat of Omar Khayaam" was developed as part of PlayGround, in residence at Berkeley Rep, and takes a comedic look at the moment just before Persian scholar Omar Khayaam decided to become a Sufi poet. During his heated conversation with a clay bowl, Omar realizes that it’s best to seek closeness with god while he’s still alive, instead of waiting until he reaches the afterlife.


Venue Information:

(before) The Rubaiyyat of Omar Khayaam
April 13 at 8 PM
April 14 & 15,at 7 PM & 9 PM

Wings Theatre
154 Christopher Street
New York, NY

Tix/info: 212.627.2961

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Sunday, January 27

Kennedy Center ACTF



If any of you are in the Los Angeles Area Feb 13 & 14th, I’ll be leading two playwriting workshops at the Kennedy Center American College Theater Festival - Region VIII conference. Here are the details if you can make it:

Both workshops will be held as the CSULA campus:

What’s Next?: Giving Your Finished Play to the World
Wed., Feb 13th, 1:00-2:20
Room: Music 101

Ten-Minute Plays: The Haiku of American Theater
Thurs, Feb 14th, 3:00- 4:30 PM
Room: Music 256

California State University at Los Angeles
5151 State University Drive, Los Angeles
(323) 343-3000

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Monday, December 31

Kicking off the New Year



I'm excited to be a part of the Tapas Short Play Fest held in Monte Rio, CA. My play, Turtle Shopping, will be produced along with plays by Janice Eurgubian, Tom Kelly, Scott Kersnar, Lee Senior, Jacquelyn Wells, and Lauren D. Yee.

Details:

Tapas: A New Short Play Festival
Jan 10, 11, 12, 17, 18, 19 @ 8 PM
Jan 13, 20 @ 2 PM
Pegasus Theater Company
20347 Hwy 116 , Monte Rio, CA
$15 general/$12 for students
Tix/Info: (707) 522-9043

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Wednesday, October 10

PlayGround


Been having some great news of late. First off, I’ve been selected to be part of the writer’s pool for PlayGround in residence at Berkeley Rep. Here’s the full list of this year’s pool:

Vicki Anderson, Neela Banerjee, Crish Barth, Christopher Bernard, Andrew Black,
Cass Brayton, Robyn Brooks, Kenyon Brown, Ron Campbell, Adam Chanzit, Dave Garrett,
Garret Jon Groenveld, Leah Halper, Daniel Heath, Stacy Nathaniel Jackson, Brady Lea,
Aaron Loeb, Lisa Ludden, Jonathan Luskin, Doug MacPherson, Richard McKern,
Scott McMorrow, Ross Peter Nelson, Michelle Ortega, Evelyn Pine, Geetha Reddy,
Molly Rhodes, Carolina Rojas, Diane Sampson, Martha Soukup, Tom Swift,
Nicholas Turner, Maya Lis Tussing, Richard Weingart, Lauren Yee, Ignacio Zulueta

The other great news is I won the One Minute Play competition, and was flown to MN and feted on the red carpet at the Ivey Awards. Many thanks to Scott Mayer, Mitch Kelly and all the people at the Ivey Awards for making this happen, and big thanks to the Playwrights Center for their support, and many many thanks to The Mall of America for their very generous gift.

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Thursday, August 2

One-Minute Play Contest

Photobucket - Video and Image Hosting

I’m stoked to be a finalist in the One-Minute Play Contest. There are some great short plays, and YOU GET TO PICK THE WINNER.

There are two categories, Youth and Adult, and readers vote for a winner in each of the categories by visiting: One Minute Plays

(As an added bonus, you can also play spot-the-typos with my play.)

The Playwrights’ Center, The Ivey Awards, and Mall of America have teamed up to create The One-Minute Play Contest. There’s a PDF, as well as an audio file, for each of these plays:

Finalists - Adult

"The Jewel of Adam" by Dan Dietz
"Calling Long Distance" by Scott McMorrow
"Learner's Permit" by Michelle Jane Wilson

Finalists – Youth

"Fifty-Nine Lines" by Daniel Burns
"Untitled" by Jon Fusco
"We Freaks" by Oriana Lada

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Sunday, July 29

Bay Area Playwrights Festival



Just spent three days last week at the playwright’s pre-fest retreat for the Bay Area Playwrights Festival. Blown away is the only way to describe it. Playwrights read their plays in front everyone at the retreat, and it was awesome. This is a works-in-progress kind of thing, and Playwrights Foundation Artistic Director Amy Mueller has created an environment that allows writers to work on their plays and help them grow.

All of the plays and playwrights I saw rocked: Kevin Oakes, Annie Baker, Julie Hébert, Zakiyyah Alexander, Sam Hunter, Chris Chen, Aaron Loeb, Marisela Orta, Denize Springer.

Roll out and see these plays (complete schedule)
at the Magic, and if you can’t make it, definitely come see these playwrights when their plays come to your town.

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Tuesday, July 17

Things to do in Denver




I’m off to the Playwrights Showcase of the Western Region in Denver this week. A great time is sure to be had by all. Lots of really cool plays being presented, and the line-up of panelists is incredible: Richard Dresser, Christine Emmert, Dawson Moore, Anne Garcia-Romero, Aoise Stratford, Kent Thompson, Chip Walton, and Edith Weiss. I’m excited to a part of this by leading two workshops, “Self-Producing: Grande Idea or Great Folly,” and “Ten-Minute Plays: The Haiku of American Theater.”

Saturday, July 14

prenatal sex determination

For me, the underlying question is, why such a strong emphasis on male prenatal sex determination...


'Indian register' for pregnancies
By Sanjoy Majumder
BBC News, Delhi

An Indian minister has proposed that all pregnant women register with the government and seek its permission if they wish to undergo an abortion. Women and child development minister Renuka Chowdhury says the move is aimed at stopping the aborting of unwanted female foetuses.

Although prenatal sex determination and selective abortion are banned, far more boys than girls are born.
Critics warn that the new move could backfire and be misused. Ms Chowdhury also wants abortions to be permitted only in specific circumstances, although she did not spell out what these may be.

The minister says a register of pregnancies would allow the government to track them and crack down on the practice of foeticide which she says is widespread in parts of northern India.

Despite the ban on prenatal sex determination, the government has been unable to prevent the selective abortion of female foetuses and the practice of female infanticide.

According to the last national census, for every 1,000 boys, there are only 927 girls in India.

But critics say the new move is an infringement on personal freedom and could also be misused.

Wednesday, July 4

Is it porn?

The EU recently launched its own YouTube Channel, and caused a stir with one of its debut clips...



Here's what the BBC reported:

Sexy clip lifts EU YouTube debut
By Stephen Mulvey
EU reporter, BBC News

When the EU opened its own channel on YouTube, no-one could have predicted it would get upwards of 20,000 hits a day.
But while videos on the CAP and road safety are barely getting touched, a clip of sex scenes from European cinema has become a runaway success.

Titled Film Lovers Will Love This!, it shows men and women having sex in different ways and places, and ends with the words, "Let's come together".

Supporters say it celebrates European cinema, but others term it "soft porn".

British Conservative MEP Chris Heaton-Harris told BBC News the European Commission was wasting taxpayers' money.

"They do have an image problem but I think cobbling together 44 seconds of soft porn on the internet is not a brilliant way of solving it," he added.

Creativity

Godfrey Bloom, a UK Independence Party MEP, described the video as tawdry and tacky, adding: "It is like watching an elderly relative trying to be cool, very embarrassing."

A Polish MEP from the conservative League of Polish Families has accused the commission of using "immoral methods" to promote itself.

European Commission spokesman Martin Selmayr said there had been a flood of complaints from Poland about an intimate scene between two men - but refused to accept there was anything controversial about the film.

Fuming at what he called "quasi-religious bashing of the very important cultural diversity we have in the European Union", he said the lovemaking clips were excerpts from award-winning films, and that the commission was proud of the EU's rich cinematic heritage.

"The European Union is not a bible belt, we believe in freedom of expression and artistic creativity," he added.

The sex-scene video is one of four made for screening in European cinemas to advertise an EU fund that helps distributes successful films made in one EU state to others.

'Slap and tickle'

All four have been available on the European Commission's website and YouTube since February, and until Friday one of the other films, with much less sex in it, was the most popular.

It is only since the launch of the EU's own YouTube channel, EUtube, that the Let's Come Together video has outshone the others.

Labour MEP Gary Titley said: "European films are about more than a quick slap and a tickle. It is bonkers that this clip gets so much attention."

At the launch of the channel on Friday, Commission Vice-President Margot Wallstrom said: "It is very important for the Commission to use all the means at its disposal when it comes to communicating with European citizens."

None of the e-mailers to the EUtube site has objected about sexual content.

The main complaint has been that few of the films are yet available in languages other than English, but the orgasmic cries of Film Lovers Will Love This! need no translation.

Thursday, June 21

Ashland New Plays Fest

Got some great news today. My play, TURTLE SHOPPING, has been selected for the Ashland New Plays Festival held July 7-9th in Ashland, OR.

Details:

Turtle Shopping by Scott McMorrow
July 7 & 9 @ 8:00 PM
July 8 @ 2 PM
Ashland New Plays Festival
Stevenson Union
Southern Oregon University
Ashland, OR

Admission: $10
tix info: 541.482.4357

Thursday, June 7

Spendin' Time in Rehab

this makes me feel not so bad about all my various vices...

Wednesday, June 6

The Tap Is Back!

Monday, May 28

News from the front...

Been having some good news lately...

I'll ll be leading playwriting workshops at The Playwrights Showcase of the Western Region this July.

My play Future Sex will be part of the 2007 Bay Area Playwrights Festival (BASH) in San Francisco this August.

Prime Numbers will be produced by Theatre Limina this Summer.

Turtle Shopping was recently published in AUDIENCE magazine.

Did a poetry reading the other night in support of OAKLAND OUT LOUD, an anthology of PEN writers that I'm in.

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Saturday, May 19

Who Says Poetry is Dead?

Tuesday, April 24

Muslim voices: Women's views

What role do women play in Muslim communities - and does wider society focus on the negative stereotypes, rather than the real people?

For the Muslim Voices week, the BBC brought together two women who had never met, a playwright and a business woman, and
asked them to share their views…

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Saturday, April 21

The Religious Wrong Strikes Again

I lifted this from Adam’s Blog… stuff like this freaks me out and pisses me off… tales of intolerance from the Religious Wrong need to be told and retold...


Last night's performance of INVINCIBLE SUMMER was disrupted when eighty seven members of a Christian group walked out of the show en masse, and chose to physically attack my work by pouring water on and destroying the original of the show outline.

For the full story, visit mikedaisey.com

Wednesday, April 18

Tom Stoppard

Okay, I'm spending way too much time on YouTube, mainly surfing for nonexistent monkey porn and weird rap videos made by troops in Iraq. It wasn't a total waste of six and a half hours. I still have plenty of time to finish that script before first rehearsal, and I did come across this...

Tuesday, April 17

My Kingdom for a Podcast


Bill Goes Digital...

Saturday, April 14

The New Praetorians




I’m living in a science-fiction movie. And it’s not a good one. Enter Blackwater USA - a commercial paramilitary our Government out-sources to various hot zones, including Iraq and Afghanistan. These mercenaries are ex-Special Forces, and here the plot thickens. When employed in combat roles, Blackwater is not subject to civilian or military law. They’ve got their own high-tech weapons, armored vehicles, and airplanes. They’re an aggressive, kill-first-and-ask-questions-later outfit. Except that when the Congress that hired and pays them asks questions, Blackwater refuses to answer.

Many have likened Blackwater to the Praetorian Guard of Ancient Rome, which became famous as assassins of emperors. In this country, a coup d’etat is virtually impossible. Sure, the Aryan Nations might want to topple our Government. But really, there’s no way racists armed with shotguns and rifles could beat down our Army with its tanks and machine guns. Say what you will about our military’s current deployment, good-bad-or-ugly, not many of us living in the States fear it will rise against us. Why? Because we have civilian control over our Services. (photo: Blackwater employees in New Orleans after Katrina hit)


But in act two of this science-fiction, double-feature, Doctor X creates a creature similar to Blackwater, and this private militia arms itself with similar War accoutrements currently held only by our Armies. They get their own tanks and machine guns. All in the name of Democracy.

In the final scene of this really bad B movie, the hero remembers too late that the private sector is driven by profits. At its Initial Public Offering, the majority of our creatures’ stock is snatched up, and this private group of heavily armed, highly dangerous killers goes to work... for someone else.

What I’d like to know is this. Is anybody else watching this movie?

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Thursday, April 12

Wild Man Rests




We love you KV…
Some of the best times I’ve had were spent between your covers…



This bird is out of his cage

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Wednesday, April 11

Outrage at India menstrual form


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Thursday, April 5

My Show in Florida


I’m totally stoked to be a part of
Pensacola Little Theatre’s Studio 400 Reading series .

My show, Puppet Therapy, goes up May 15th. Here’s the lineup of a whole bunch of great writers and their plays:

Thursday, April 26th

The Cartharsis by Kristyn Robinson
The Rental by Mark Harvey Levine
Dance in Venice by John Shanahan
That Thing by John Shanahan
Wednesdays by Sue Brody
Not a Competition by Sue Brody

Monday, April 30th

Shrink by Jennifer Godwin
Figment by Mark Troy
That's the Way the Cookie Crumbles by Patricia Milton
Back Roads by Stephanie Walker
The Gardener by Stephanie Walker
Last Chance Filler Up by Isabella Russell-Ides

Tuesday, May 15th

The End by Kristyn Robinson
Last Call by Lia Romeo
Puppet Therapy by Scott McMorrow
A Lovely Moon by Evan Guilford-Blake
Mind of the Critic by Adam Szymkowicz
Ambience Pizza/54th and 9th by Adam Szymkowicz

Thursday, May 24th

Have a Seat, Please by Steven Bergman
Center Bed Dweller and the Secret Fart Woman by Lindsay Price
Spinsters by Barbara Lindsay
On the Line by Barbara Lindsay
The Kiss by Mark Harvey Levine
Surprise by Mark Harvey Levine

Monday, April 2

Art Imitating Life Imitating Tom Waits


Well it's got to be a chocolate Jesus
Make me feel good inside
Got to be a chocolate Jesus

Keep me satisfied

Well I don't want no Anna Zabba

Don't want no Almond Joy

There ain't nothing better

Suitable for this boy
Well it's the only thing

That can pick me up

Better than a cup of gold

See only a chocolate Jesus

Can satisfy my soul

Chocolate Jesus by Tom Waits


Friday, March 23

Edward Albee

Blanket statements scare me. Often, the blanket tries to do too much covering and ends up getting spread thin. That said, I think Edward Albee is spot on about his interpretation of how his work relates to the theater scene when he says, about making changes to his work, 'Go fuck yourself; if you don't want to do the play I wrote, do another play.' (LA Weekly, 2/21) He has that power. And I realize that disagreeing with such an icon may not be the most popular or intelligent thing to do. For the record, I think Mr. Albee is a great advocate for playwrights, and I like much of his work. But, for those of us lower in the food chain, telling producers and directors to fuck off may not be the for the best. I agree with him that writing a script is an act of individual creativity. Quite a different thing when it comes to making that script into a play, though. Collaboration can be a great thing, and it can suck, depending on the people involved. But to say “These are my words, and I will die defending them” can also be dangerous.

For example, I have a short play, Turtle Shopping, and this three-character piece has gotten a fair amount of exposure. In it, three Jewish women (mother, daughter, and grandmother) discuss, among many things, how the passing of generations erodes cultural bonds. In my text, the grandmother hails from Russia and has a thick accent, while the other two women have none. The first director to work the piece (John Ribovich, Calaveras Rep) suggested we keep the grandmother’s Russian accent, give the mom a New York accent, and leave the daughter with none. This one minor change added more dimension and depth to the play, and underscored the concept of cultural dilution. Now, I could have defended my text and said no to the change, but the play would have suffered.

I’m not saying writers should capitulate and compromise on every issue, but I do feel some discretion is called for. I spend a fair amount of time editing anthologies of short fiction, and if I were to make a blanket statement, it would be this: To a person, the writers who bitch the most about the process are those with the least amount of experience. The more established the writer, the easier they are to work with. I’ll leave it the you to figure out what happens with the bitchy writers during the next round of submissions. I will say that I’ve been pondering this issue for awhile. And this is what I’ve come up with - Writers hear all the time, in creative writing classes, seminars, and conferences, that their words are their own, which they are. They also hear that they must defend their words on pain of death. And they should defend their work. But not to its own detriment.

(This piece was first published in THE LOOP, v. 50)

Sunday, March 11

The Beatles do Pyramus & Thisbe















Stumbled across this bawdy and bizarre video of John, Paul, George, and Ringo performing Pyramus and Thisbe in front of a raucous crowd.

Tuesday, March 6

Submission - Part 1





Submission - Part 1
by Theo van Gogh and Ayaan Hirsi Ali


This film starts out in Dutch, then soon continues in English

From the BBC:

The murder of Dutch movie director Theo van Gogh in November 2004 came just two months after this highly controversial film, Submission - about the abuse of Muslim women - was shown on national TV in Holland.

Radical Islamist Mohammed Bouyeri, 27, has now been jailed for life for his murder after confessing to the killing, claiming he acted out of religious conviction.

Theo van Gogh's name was better-known around the world because he shared it with his great-great-grandfather, the brother of artist Vincent van Gogh.

But in the Dutch film community, he was a well-known figure and has been described as the Netherlands' Michael Moore.

Submission may have only been a 10-minute English-language short, but it caused uproar in his home country when it was broadcast at the end of August.

The outcry centred on the stories of four Muslim women who were beaten, raped and forced into marriage, and were asking for Allah's help.

It becomes apparent that their chadors and gowns are transparent and their half-naked bodies are visible through their dress.

On their bodies are written Koranic verses describing the permitted physical punishments for women who "misbehave".

The film was written by Somali-born Dutch member of parliament Ayaan Hirsi Ali, who has been a strong opponent of Islam's treatment of women.

Hirsi Ali has said she wanted to draw attention to the hidden violence against Muslim women, describing some practices as "savage Medieval customs", and show Muslims are the same as everyone when stripped bare.

Sunday, March 4

from the what the fuck files...


a sad chapter…

Thursday, March 1

World Book Day


This is it (drums rolling)….

March 1, 2007, the 10th annual World Book Day . Grab yourself a good book, sit down with someone you love…
Or is it grab someone you love, sit down with a good book? Oh well, works either way for me…

My pick for today is Infidel by Ayaan Hirsi Ali . Everyone should know this phenomenal woman.

And remember, World Book Day or not…Read Early, Read Often



Monday, February 26

In The Rough



Playwrights Foundation has announced the line-up for their "In The Rough" Reading Series, featuring plays by these awesome playwrights:

Jason Grote
Geetha Reddy
Marcus Gardley
Sheila Callaghan
Tanya Shaffer
Nastaran Ahamdi
Rachel Axler
Peter Nachtrieb

Guess who is the company manager for this faboo project!

Wednesday, February 7

ADM - It's What We Do.


Somewhere west of Topeka, someone is going out for a joy ride to get “a breath of fresh air,” which is why a farmer is being paid a subsidy by the U.S. Government to harvest corn, and why a train burning fossil fuels is transporting that corn, and why ADM is turning that corn into ethanol, a renewable, cleaner-burning fuel .

And somewhere south of the US-Mexico Border, corn prices are soaring out of control and the poorest of people can’t afford to eat.

ADM – “It’s what we do. It’s who we are.”

Monday, February 5

Feb 5th


Happy B-Day, John!

Tuesday, January 2

frolicking with Maggie & Jake


Last week, I was frolicking in the wee hours with actress Maggie Gyllenhaal, (Secretary) and her brother, Academy Award-nominated actor Jake Gyllenhaal (Broke Back Mountain). No, not like that! You do have a filthy mind. Hanging with these hotties took on a more serious tinge when the lodge they were staying at in my town caught fire. I’m a firefighter in Inverness, and spent the night battling the blaze while they were evacuated to safety. A brief account of the night follows:



This Fire Fought Back

When the sh*t hits the fan, it usually does so in the dead dark of night. True to form, as hurricane force winds ripped through West Marin, disaster came knocking once again in the wee hours. The piercing tone my fire pager yanked me from a deep sleep, and I knew right away this call was serious. Most times the dispatch simply issues a generic response for “Inverness Fire.” Grabbing a flashlight to slice through the black veil of the power outage, I heard the litany squawking forth from my pager, “Engine 380, Engine 1584, Chief 300...” The adrenaline rush kicked in as the list kept growing while I pulled on some shoes and headed for the door. The rush spiked with the chilling end of the initial dispatch, “... possible structure fire, 30 Callender Way.”

Mike Meszaros and I were out of the station and underway in Engine 380 immediately. Over the radio, we heard Jim Fox announce he was on scene and Woodacre’s dispatch echoed his stark transmission for all incoming units to hear, “Structure fire confirmed, 30 Callender Way.” On a scale of one-to-ten, my adrenaline level high-jumped to twenty.

Everyone on the Inverness Fire Department is familiar with that address. Over the years, we’d been there several times for minor things, and Margaret had always been gracious and wonderful, putting the needs of her friends and guests before her own. Based on our knowledge of the building and surroundings, we knew we had to move fast. 380 was the first engine in, so we went on scene dry, meaning we didn’t stop to drop a line at a hydrant. Our rig carries 500 gallons of water for initial attack, and we knew follow-on units would take a hydrant to supply us with more if needed. And it would be needed.

Mike pulled into the restaurant’s driveway, jumped out of the truck and began to set up for pumping while I donned an air tank. Jim’s brother, Tom Fox, pulled an attack line off of the engine and headed to the back of the building. Over the radio, I could hear Jim coordinating incoming units from Marin County Fire and Inverness. Following the hose line Tom laid out, I found him at the back corner of the structure putting water on fire. Through the thick smoke ,I could barely see the outline of the tree-smashed water heater engulfed in flames.

The propane line feeding the heater was leaking just above its shut off valve, and the jetting gas fed the blaze. Tom pushed some of the flaming gas back with a heavy blast of water, and directed me to reach in and shut the valve. Reaching into the inferno with a gloved hand, I snapped the valve shut. The volume of flames seemed to drop in half, and we continued to fight the fire that was rampaging under the building. Things were looking good, and it seemed we might knock this fire down and out. Until a blast from those hurricane force winds sent the scorching conflagration deeper under the building.

By this time, more units were on scene, and the sweet smell of burning cedar shingles mingled with black smoke and searing flame. Brian Cassel was steadily working another attack line off of 380, dousing the driveway side of the building with a torrent of water. Between Marin County and Inverness units, we had the front and side of the building covered with attack lines, deluging the fire with thousands of gallons of water. It seemed that every time we beat the flames back, winds would whip the fire into a frenzy and breathe life into the blaze somewhere else. We were fighting fire, and this fire was fighting back.

With the help from Skywalker and Bolinas Fire, we surrounded Manka's with hoses. I was reallocated to the back of the building to help Ken Fox work attack lines from Engine 381. We were trying to keep the fire from totally engulfing the entire structure. But that howling wind was our greatest foe. Gusts slammed into the front side of the building, causing the wind and building to join forces and function as a giant bellows, sending bright orange-red flames upward, licking the black night sky.

Several of us had rotated through that back position: Cathy Davis, Mike Connelly, Tom Levy, Jeff McBeth, Ken, and myself. And it was between one of these rotations, when for a brief few seconds no one was standing there next to the back fence, a giant oak came smashing to the ground exactly where we had be stationed to fight. This 30-plus inch diameter beast would have surely crushed any firefighter unlucky enough to have been caught in that ill-fated spot.

Several hours into the battle, Jeff, Tom, Cathy, and I were positioned in the extreme back corner. The building was totally ablaze, and the call had come down to focus on water conservation. Manka’s, jewel that she was, was lost, and the best we could do now was to make sure this angry fire didn’t get a chance to spread and burn down any more of our beloved Inverness.

The chaos and fog of fighting fire clarified in the minds of most of us. When that wicked wind sent flames soaring from windows and eaves, we doused them back with blasts of water. During this stage of the battle, still shrouded in the darkness of night, I had the chance to reflect on the magnitude of what was happening. Up until then, I was so focused on the task at hand, I hadn’t been able to think beyond the fight. But standing in the back yard, spraying water, working to prevent the fire from spreading, and with the collapse of this grand old dame inevitable, I had time to think about this great loss, this end of an era.

There was the wonderful anniversary dinner my wife Annalisa and I had enjoyed, oysters and antelope, topped with a bottle of vintage red wine. And the surprise at the end of this superlative meal, when we learned that her dad had called the restaurant during dinner and given them his credit card to pay the bill. There were the local’s nights spent with friends. I can still taste the blue cheese smothering a mile-high hamburger. And even though we didn’t get there as often as we would have liked, it was always special to know there was such a fantastic place just around the corner from our house.

Sunrise brought with it a welcome drop in wind. Slowly, gradually, as day pushed night aside, we could see the whole of what happened. Manka’s had collapsed to her knees, the top floor tumbling into ground, fire still sending plumes of smoke into the blue sky.

We had fought a good fight, but in the end, Mother Nature had more to say about the finale than we did. Firefighters from Inverness Fire, Marin County Fire, Skywalker Ranch, and Bolinas Fire worked their asses off trying to save her. They’re all heroes in my book. And so are the people of Inverness. This event is bigger than the just physical and emotional loss of losing a magical place. We all shoulder this part of Manka’s history.

Thursday, December 14

Project 365 - Week 3


Project 365 - Week 3 in San Francisco was a blast! Playwrights Foundation had Bay-Area playwrights present the plays at The Museum of the African Diaspora, and we all felt a great sense of belonging and community working on this wonderful project.

As a playwright, it was eye-opening for me to act in these plays. Suzan-Lori’s work allowed me the freedom to explore creative expression at a level that I rarely experience through simply applying pen to paper.

I thoroughly enjoyed all the plays I performed in, and was especially jazzed by acting in "(Again) Pilgrim’s Progress (For Thanksgiving)". Robert Henry Johnson choreographed the movement for this play, and he had us to create individual dance “phrases” for the piece. At first, this was especially challenging for me, then I remembered the advice Suzan-Lori gave about ignoring the bouncer standing at the door of our creativity. Her words gave me the courage to open up and find my own truth for this piece, and I really felt something truly magical.

Monday, November 6

Suzan-Lori Parks & 365




Amy Mueller of the Playwrights Foundation asked me if I was interested in being the Project Coordinator for the San Francisco Hub of 365 Days/365 Plays, and I leapt at the opportunity. The thing that jazzes me most about the project? Suzan-Lori Parks sat down and decided to write what many people would consider “a work that cannot be produced.” I love that! As a playwright, I appreciate the audacity of the challenge. So, this awesome writer sets about writing the impossible, and the next thing you know, the theater community rises up and figures out a way to stage it. This is what jazzes me most!

The San Francisco Hub is being spearheaded by three groups:
Z Space
Playwrights Foundation
Cutting Ball

I work closely with all three groups, and help maintain smoothness and continuity of the project with participating companies. The main thrust of my work is getting 52 companies on board, keeping them up to date with information regarding the Project, tracking productions, and coordinating scripts.

Tuesday, September 26

Italian translation of Leftovers


I’m off to the Frankfurt Book Messe next week, trying to sell book rights to various countries in Europe. This is the biggest rights fair of its kind, lots of meetings and lunches spent flogging the product. Not much time to play, but I do have a dinner meeting with Stefano Martinelli about working on the Italian-to-English translation of his opera, Polly.

I’m also going to bop down to Bologna the night of Oct 7 to catch a production of my play, Avanzi (Leftovers, Italian translation), put up my by friend Nino Campisi of Teatro del Navile. Check out the lineup for his entire festival at:
BOA Italia 2006

Thursday, July 20

Kennedy Center & Cat in the Hat


Just got back from The Kennedy Center... it was fantastic. I spent two weeks as a Guest Artist in their Playwriting Intensive program. There was a small group of us who were lucky enough to have classes with members from the A-List in American Theater, including: the always wonderful Gary Garrison, whose class in structure and character development rocked; Marsha Norman did this amazing thing with us, using The Cat in The Hat as a template for story structure and subject exploration; Steven Dietz’s class on playwriting was priceless. I love his work and his approach to process. Cathy Norgren gave a dynamic workshop focusing on design as a starting point to enhance writing; Mark Bly, Melanie Marnich, and Heather McDonald all used guided writing exercises that opened up the storytelling process in a magical way; Caleen Jennings worked with us on freeing up the creative process by providing an exercise that guarantees you can always overcome writer’s block; Robert Aguirre-Sacasa had us write deleted scenes from our plays. This was revealing in the most amazing way; Christopher Bayes’ acting workshop was phenomenal; Rebecca Taichman gave us great insight into the writer-director relationship; Lenora Brown’s dramaturgy workshop is a must for any playwright; Carlyle Brown gave a workshop and candid discussion about playwriting; and we had the once-in-a-lifetime opportunity to work with the extremely talented actors Rick Foucheux and Jennifer Mendenhall.

Saturday, June 17

Those Clever Dutch

Europe was fantastic. While in Bologna, I ended up sitting on a panel for Teatro Del Navile’s Acting School, helping Nino evaluate this year’s crop of students. Also met with the cast of Leftovers, the play is in fine shape.

In The Netherlands, I came across a book of plays written by Dutch authors, 4 Playwrights in 2003. This book is part of Atelier’s Theatre in Translation Series. The plays were written and produced in Dutch, then translated into English for publication. Esther Gerritsen’s Housewife is a wonderful play, as well as Clay by Marijke Schermer. These plays, and the work of the Italians, gave me a strong look at what I call stylized realism - characters that are set in a realistic/natural environment and tweaked up a notch to make them slightly hyper-realistic.

Tuesday, May 9

Teatro del Navile

I’m totally stoked. Gregg Henry sent me an acceptance letter for the 2006 Kennedy Center Summer Intensive in Playwriting. Two weeks in D.C. this July working with some of the finest theater artists around.

All the more reason to celebrate by popping off to Europe next week. Peter and I are planning a few days of decadence and dancing in Amsterdam, then I’m flying to Italy to see Nino Campisi, the artistic director of Teatro Del Navile. He’s working on the Italian translation of Leftovers, to be produced in Bologna this fall.

Friday, April 28

velvet heat

It’s a bit surreal how things work. I recently learned that Velvet Heat, a poetry anthology I edited, is a semifinalist in the Independent Publisher Book Awards. I put this project to bed over a year ago, and it faded comfortably into the misty corners of memory, only to pop up again in this most wonderful way.

Monday, April 17

PWC

The Playwrights' Center is fantastic. An entire organic entity devoted solely to the development of playwrights. The reading of Future Sex gave me a lot of fresh ideas, and I interviewed Polly Carl for the radio show next month. She’s great, a dedicated and dynamic advocate for writers. Kristin Newbom did an excellent job putting my reading together, and the talented Kevin McLaughlin was wonderful playing the role of T.J.

To top it off, The PWC is housed in a converted church. Bell tower and all. They’ve got a stage, rehearsal rooms, and offices to run the Center. I honestly can’t think of a better use of space. The theatrics of religion replaced with the Theater. I love it. We should convert all churches.

My reading was a huge help in figuring out the next steps for rewrites. It’s invigorating to see that level of commitment. I left re-energized, and highly recommend joining as a member (national membership is only $40).

Monday, April 10

great frothing idiot

The great idiot is frothing again. Got caught making a leak. And the cloak he keeps hiding behind, come on. What’s next? One of his lackeys standing in front of us, saying, “Yes, it is the President’s Executive Privilege to be f*cking you over.”


Good news is, I’m off to Minneapolis this week for a reading of FS at The Playwrights’ Center.

Friday, April 7

Jessica Goldberg & Seismic Theatre

The reviews are in, and people really liked the radio show last night… and these are folks that would let me know if the thing was in the tank. Of course, I can’t take all the credit. Having Jessica Goldberg’s play to work with did most, if not all, of the heavy lifting. Her writing is so delightful and eloquent, the words dance off of the page… a bunch of us went out after… woke up this morning feeling the festivities…

Thursday, April 6

Ken and Larry

been reading "The diaries of Kenneth Tynan"
(Bloomsbury, 2001)... came across this fun
entry of KT quoting Lawrence Olivier:
'In films,' Larry says, 'there is no performance. You just shoot a lot of rehearsals and pick the best.'